Theater producers, directors, and actors talk about social justice impact of theater that matters. Gregory Mosher, Oskar Eustis, Rocco Landesman, Anna Deavere Smith, Julie Taymor are in conversation. Location: Paepcke Auditorium"
Oskar Eustis is artistic director of The Public Theater and has worked as a director, dramaturg, and artistic director for theaters around the country. He has directed the world premieres of Rinne Groff’s The Ruby Sunrise and Compulsion; Angels in America, Part I: Millennium Approaches (for which he received the Elliot Norton Award for Outstanding Director); and Angels in America, Part II: Perestroika, as well as world premieres of plays by Philip Kan Gotanda, David Henry Hwang, Emily Mann, and others. Eustis was a professor at Brown University, where he founded and chaired the Trinity Rep/Brown University Consortium for professional theater training. He has held professorships at Brown, UCLA, and New York University. He currently serves as professor of dramatic writing and arts and public policy at NYU. Eustis was the lead producer on the Tony Award-winning revival of Hair, Bloody Bloody Andrew Jackson, and The Merchant of Venice on Broadway.
Rocco Landesman is the Former Chairman for the National Endowment for the Arts.
Gregory Mosher is a professor at Columbia University, where one of his classes is devoted to finding new producing models for the 21st century. He is the former director of the Lincoln Center and Goodman Theatres and is the producer or director of nearly 200 plays at those theatres, on Broadway, and in the West End. His recent work on Broadway includes directing and producing A View from the Bridge and That Championship Season. In 2004, he established Columbia University’s Arts Initiative, a program to engage students and faculty across the university in the arts, and led it through 2010.
Anna Deavere Smith
Anna Deavere Smith is perhaps best known to television audiences as Nancy McNally on The West Wing and Gloria Akalitus on Nurse Jackie. In addition to her work in television and film, Smith is said to have created a new form of theatre. Following her interviews with scores of individuals, usually on a topic of civic and political interest, she creates theater works in which she plays many characters – as many as 52 in one production – representing multiple points of view.
In 1998, Julie Taymor became the first woman to win the Tony® Award for Best Direction of a Musical, and also won a Tony® for Best Costumes, for her landmark production of The Lion King. The musical has won three Molière Awards including Best Musical and Best Costumes, garnered Drama Desk, Outer Critics Circle and Drama League awards for Taymor’s direction, and myriad awards for her original costume, mask
and puppet designs. For her latest Broadway production, Spider-Man: Turn Off the Dark, Taymor served as director and co-book writer. Taymor made her Broadway debut in 1996 with Juan Darién: A Carnival Mass, nominated for five Tony® Awards.
Oskar Eustis, artistic director of The Public Theater, talks about the genius of William Shakespeare's mass appeal to distinct and disparate audiences. Eustis believes that the audience makes theater worthwhile.